Why it’s great: The filmmakers didn't bring this biographical sliver of Vincent van Gogh's tragic to life with hand-drawn or CGI animation. Where to see it right now: Rent on iTunes, Amazon, and YouTube ( watch the trailer) Good Deed EntertainmentĬast: Douglas Booth, Saoirse Ronan, Helen McCrory, Jerome Flynnĭirector: Dorota Kobiela and Hugh Welchman It's clear now: Hawkins is one of the greats and, along with Hawke at his gruffest, makes Maudie a best-case biopic. Still, and at times, a little too straightforward, Walsh invests entirely in Hawkins's physical language: delicate in depicting Lewis's disability, stripped down in the darkest moments, and beaming when her pastel illustrations blossom from her mind to the walls of a tiny shack in Nova Scotia. Maudie, a look at the life of Maud Lewis, who overcame rheumatoid arthritis, and pushed through a turbulent romantic relationship with her employer-turned-husband, to become one of Canada's premiere painters, avoids the pitfall by making a case for the human spirit without insisting upon greatness. Why it’s great: Aggrandizement can drag well-intentioned biography down like a potent horse tranquilizer. Where to see it right now: In theaters ( watch the trailer) Gravitas VenturesĬast: Sally Hawkins, Ethan Hawke, Kari Matchett, Zachary Bennettĭirector:Aisling Walsh ( Song for a Raggy Boy) Oscar nominations: Best Adapted Screenplay "YOU ARE TEARING ME APART, LISA!" has never felt so. But true to Franco, who exists on the fringes of mainstream (and has now come under fire over allegations of sexual misconduct), his take on Wiseau is a stark lampoon that defies every imaginable convention.
Most of the time we're laughing (maybe too much, to be honest).
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The arc of this movie is jaw-dropping: When Franco's Wiseau rolls up to Los Angeles for the first time, he unloads motivational-poster wisdom when he arrives on The Room set for Day 1, he mutates into a hybrid of masochistic Hitchcock and coked-out Ozzy Osbourne after his fallout with Greg, Wiseau takes on the mannerisms of a 6-year-old.
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Franco goes full Daniel-Day-Lewis to become Wiseau, who latched onto his young, acting classmate Greg Sestero (Dave Franco) and drove them both to the hell of inert, overproduced, melodramatic movie-making. Why it’s great: There are no half-measures with Tommy Wiseau, the failed actor/secret millionaire behind the notoriously awful cult drama The Room, and there are no half-measures in The Disaster Artist, James Franco's dramatic telling of the film's bizarre backstory. Where to see it right now: Stream on Tribeca Shortlist (starting December 1) rent on iTunes, Amazon, and YouTube ( watch the trailer) A24Ĭast: James Franco, Dave Franco, Seth Rogen, Alison Brieĭirector: James Franco ( The Sound and the Fury) Co-starring the late Emmanuelle Riva as a grandma down to party, the movie is totally pleasurable and endlessly absurd. Lost in Paris returns slapstick and sight gags, now the fodder or annual Shrek imitators, back to the world of art, with the pratfalling misadventures of two caricatured romantics playing out like a musical. Why it’s great: Fans of the La La Land's Technicolor whimsy, the bizarrerie of Amélie, and/or the low-key hijinks of Wallace and Gromit cartoons should seek out the latest from "Abel and Gordon," an old-meets-new comedy starring the director couple as a Canadian woman desperate to find her missing aunt, and the free-wheeling tramp who injects himself into the search to varying degrees of helpfulness. Where to see it right now: Stream on Amazon Prime rent on iTunes, Amazon Video, VUDU, and YouTube ( watch the trailer) Oscilloscope LaboratoriesĬast: Dominique Abel, Fiona Gordon, Emmanuelle Riva, Pierre Richardĭirector: Dominique Abel and Fiona Gordon ( The Fairy)
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By the end of Free Fire, limbs are torn through, blood is spilled, and your jaw is on the floor. Each insult exacerbates the standoff, which Wheatley orchestrates with wailing bullets, chaotic camerawork, and salvos of clever banter, blurted out as the actors squirm across dirt floors to safety. What should be just-another-illegal-gun-deal-by-the-docks between a group of IRA fighters (led by Murphy), a skeezy arms dealer (Copley), and two American representatives for the respective parties (Larson and Hammer) explodes into a firefight when one lower-rung goon accuses another of assaulting his sister at a bar the night prior. Why it’s great: Cast from the molten barrels of Charles Bronson's many Smith & Wessons, this frenetic '70s throwback plays out as one prolonged shootout. Cast: Brie Larson, Sharlto Copley, Armie Hammer, Cillian Murphy
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